Claude Bernard, the father of scientific physiology, believed that if medicine was to become truly scientiifc, it would have to be based on rigorous and controlled animal experiments. Bernard instituted a paradigm which has shaped physiological practice for most of the twentieth century. ln this paper we examine how Bernards commitment to hypothetico-deductivism and determinism led to (a) his rejection of the theory of evolution; (b) his minima/ization of the role of clinical medicine and epidemiological studies; and (c) (...) his conclusion that experiments on nonhuman animals were, "entirely conclusive for the toxicology and hygiene of man". We examine some negative consequences of Bernardianism for twentieth century medicine, and argue that physio/ogy's continued adherence to Bernardianism has caused it to diverge from the other biological sciences which have become increasingly infused with evolutionary theory. (shrink)

In The Ethics of Discernment, Patrick H. Byrne presents an approach to ethics that builds upon the cognitional theory and the philosophical method of self-appropriation that Bernard Lonergan introduced in his book Insight, as well as upon Lonergan's later writing on ethics and values. Extending Lonergan's method into the realm of ethics, Byrne argues that we can use self-appropriation to come to objective judgements of value. The Ethics of Discernment is an introspective analysis of that process, in which sustained (...) ethical inquiry and attentiveness to feelings as "intentions of value" leads to a rich conception of the good. Written both for those with an interest in Lonergan's philosophy and for those interested in theories of ethics who have only a limited knowledge of Lonergan's work, Byrne's book is the first detailed exposition of an ethical theory based on Lonergan's philosophical method. (shrink)

BERTRAND RUSSELL ON MODALITY AND LOGICAL RELEVANCE - SECOND EDITION of 2015. Praise for the first edition of 1999: "In the twenty-nine years since Russell's death, much of the major scholarship has drawn heavily on his manuscripts and unpublished correspondence. The author shows that the published Russell is capable of new interpretations; in particular, that modal notions such as possibility have a greater place in various aspects of his logical and philosophical thought than has been previously imagined." -Ivor Grattan-Guinness, Foreword (...) to the first edition. EXCERPT FROM PUBLISHED REVIEW: "Dejnožka's book is the first full-length study of modality in Russell. It is useful for its very full survey of passages in which Russell makes use of or alludes to modal notions. Dejnožka's command of Russell's huge output is indeed impressive and his utilization of it thorough...." - Nicholas Griffin, Studia Logica. EXCERPT FROM PUBLISHED REVIEW: "Dejnožka's book raises a very important point in the history of formal logic. Until now the major studies on this topic have drawn heavily on the development of classical logic as standardized by Gottlob Frege and Bertrand Russell. Dejnožka challenges the reader to open his mind for a new interpretation of Russell's work, in particular that modal and relevance notions have a greater place in his philosophy of logic than has been stressed before.... "Dejnožka rightly observes that many of Russell's insights on modality are a result of his discussions with Hugh MacColl, who was indeed the first to seriously attempt to develop formal modal logic. This particularly applies to Russell's conception of a modal logic without modal operators....That is, classical logic can be used to simulate modal expressions. Thus, the notions of (logical) necessity and possibility are not 'fundamental notions'....On this basis, Dejnožka develops a higher level of modality, where the quantification scope extends to the predicates yielding what Russell calls 'fully general propositions'.... "The best studied translation method is known as the standard translation, and it is quite compatible with Dejnožka's suggestions.... "Dejnožka's book is full of material which stimulates [one] to rethink Russell's philosophy of logic and...it is greatly to the author's credit that he brings to light such a wealth of crucial issues in the history and philosophy of logic. - Shahid Rahman, History and Philosophy of Logic. BOOK DESCRIPTION: This book is the only exhaustive study of Russell on modality and logical relevance ever written. This is the second edition, revised over a period of over sixteen years, and over twice as long. Russell initially rejects the possibility of a modal logic in an unpublished paper written ca. 1903-05 and read to an audience in 1905. But the very next year, he adopts the theory of modality he had rejected, and he repeats that theory in published works for many years to come. That theory, together with other texts scattered among Russell's writings, implies eight modal logics which Russell himself never expressly accepted. And Russell's express acceptance of the early Wittgenstein's theory of entailment ("following from") as truth-ground containment implies a deductive relevance logic in Russell's writings which Russell himself never expressly accepted. The book ends with a look at John Maynard Keynes and Anglo-American evidence law as the origins of Russell's theory of probability as degree of logical relevance. Thus the book is written toward the reunion of modern classical logicians with modal logicians and relevantists. On the reunion of modern classical logicians with relevantists, please see also The Concept of Relevance and the Logic Diagram Tradition (2012). Thus I hope to have created two new fields of Russell studies. I may have created a new legal field as well: the history of logical relevance in evidence law: 132 pages (368-500) in chapter 10. (shrink)

This article examines Bernard Lonergan's account of the meaning, functions, and importance of art, focusing on the chapter on art in his Topics in Education (volume 10 of The Collected Works of Bernard Lonergan), the text derived from his 1959 Cincinnati lectures on philosophy of education. The essay begins by identifying important parallels between Lonergan s analysis of art and selected elements in the philosophies of Aristotle, Saint Augustine, Kant, Hegel, Tolstoy, Collingwood, and Heidegger. It then focuses upon (...) Lonergan's particular emphasis on artistic creation and appreciation as an exercise of human liberty, and as a testimony to the freedom of human consciousness. Developing this theme, it explores how Lonergan's analysis answers three critical questions: 1) what does art liberate us from? 2) what does art liberate us for? and, 3) why is art always about freedom? /// O presente artigo constitui uma análise da posição de Bernard Lonergan acerca do sentido, das funções, e da importância da arte, análise esta centrada no capítulo sobre a arte que se encontra na obra Topics in Education (volume 10 das Collected Works of Bernard Lonergan), texto este derivado das conferências pronunciadas pelo filósofo canadiano, em 1959, em Cincinnati, sobre Filosofia da Educação. O artigo começa com o estabelecimento de importantes paralelos entre as análises de Lonergan acerca da arte e alguns elementos escolhidos nas filosofias de Aristóteles, Santo Agostinho, Kant, Hegel, Tolstoi, Collingwood, e Martin Heidegger. Seguidamente, o artigo concentra-se na ênfase dada por Lonergan à criatividade e avaliação artísticas, mostrando de que modo uma e outra constituem exercícios maiores da liberdade humana, e, nessa medida, devem ser vistas como testemunhas privilegiadas da liberdade da consciência humana. Assim, ao desenvolver este tema, o artigo explora o modo como a análise de Lonergan responde às seguintes três questões críticas fundamentais: 1) de que coisas nos liberta a arte? 2) para que coisas nos liberta a arte? e 3) por que razão tem a arte sempre a ver com a liberdade? (shrink)

_Transcendence and History_ is an analysis of what philosopher Eric Voegelin described as “the decisive problem of philosophy”: the dilemma of the discovery of transcendent meaning and the impact of this discovery on human self-understanding. The explicit recognition and symbolization of transcendent meaning originally occurred in a few advanced civilizations worldwide during the first millennium?.?.e. The world’s major religious and wisdom traditions are built upon the recognition of transcendent meaning, and our own cultural and linguistic heritage has long since absorbed (...) the postcosmological division of reality into the two dimensions of “transcendence” and “immanence.” But the last three centuries in the West have seen a growing resistance to the idea of transcendent meaning; contemporary and “postmodern” interpretations of the human situation—both popular and intellectual—indicate a widespread eclipse of confidence in the truth of transcendence. In _Transcendence and History_, Glenn Hughes contributes to the understanding of transcendent meaning and the problems associated with it and assists in the philosophical recovery of the legitimacy of the notion of transcendence. Depending primarily on the treatments of transcendence found in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan, Hughes explores the historical discovery of transcendent meaning and then examines what it indicates about the structure of history. Hughes’s main focus, however, is on clarifying the problem of transcendence in relation to historical _existence_. Addressing both layreaders and scholars, Hughes applies the insights and analyses of Voegelin and Lonergan to considerable advantage. _Transcendence and History_ will be of particular value to those who have grappled with the notion of transcendence in the study of philosophy, comparative religion, political theory, history, philosophical anthropology, and art or poetry. By examining transcendent meaning as the key factor in the search for ultimate meaning from ancient societies to the present, the book demonstrates how “the decisive problem of philosophy” both illuminates and presents a vital challenge to contemporary intellectual discourse. (shrink)

This essay examines the songwriting art of Bob Dylan as a vehicle for exploring and clarifying elements in Bernard Lonergan’s analysis of art. The elements focused upon include Lonergan’s treatment of symbols and symbolic meaning as the communicative medium of art, and, at greater length, Lonergan’s account of art’s capacity for what he calls “ulterior significance,” its ability to suggest depths of meaning—including divine or ultimate meaning—that we surmise to lie beyond our comprehension. Examining songs from the full range (...) of Dylan’s fifty-year career, the essay shows that from his early songwriting in the “folk” tradition and his breakthrough achievements of the mid-1960s, Dylan’s best art has been characterized by an unusual concision and power in its use of symbolic imagery, as well as by a recurrent ability to evoke, with artistic originality and effectiveness, mysteries of “ulterior significance.” These analyses are then brought together in a discussion of the religious, often eschatological, character of some of Dylan’s most significant work. (shrink)

Poco più di mezzo secolo fa, il padre domenicano Antoine Dondaine, in un articolo dedicato ai due fratelli pisani Ugo Eteriano e Leone Tosco, attivi nella seconda metà del secolo XII alla corte di Costantinopoli durante il regno dell'imperatore Manuele I Comneno, segnalava l'esistenza in due codici (Sevilla, Biblioteca Colombina 5.1.24, Oxford, Bodl. Canon. Pat. Lat. 1) dell'opuscolo Adversus Patherenos composto da Ugo a Costantinopoli (Hugues Éthérien et Léon Toscan, «Archives d'histoire doctrinale et littéraire du Moyen Âge», 27, 1952, p. (...) 67–134, qui 109–114), importante non solo per la storia dell'eresia dualista in epoca medievale, ma anche per l'utilizzo da parte di Ugo di alcuni testimoni della letteratura agiografica ed edificante bizantina. (shrink)

Poco più di mezzo secolo fa, il padre domenicano Antoine Dondaine, in un articolo dedicato ai due fratelli pisani Ugo Eteriano e Leone Tosco, attivi nella seconda metà del secolo XII alla corte di Costantinopoli durante il regno dell'imperatore Manuele I Comneno, segnalava l'esistenza in due codici (Sevilla, Biblioteca Colombina 5.1.24, Oxford, Bodl. Canon. Pat. Lat. 1) dell'opuscolo Adversus Patherenos composto da Ugo a Costantinopoli (Hugues Éthérien et Léon Toscan, «Archives d'histoire doctrinale et littéraire du Moyen Âge», 27, 1952, p. (...) 67–134, qui 109–114), importante non solo per la storia dell'eresia dualista in epoca medievale, ma anche per l'utilizzo da parte di Ugo di alcuni testimoni della letteratura agiografica ed edificante bizantina. (shrink)

Hugh of Saint Victor was an incredibly influential philosopher and theologian in 10th century France-his eloquence and writing earning him fame exceeding even that of St. Bernard. Yet despite his medieval celebrity, Hugh remains incredibly understudied in contemporary academica. Paul Rorem offers a basic introduction to Hugh's theology, through a comprehensive survey of his works. Drawing his evidence not only from Hugh's own descriptions of his work but from the earliest manuscript traditions of his writings, (...) Rorem organizes and presents his corpus within a tri-part framework, treating each of Hugh's major works in its appropriate place, and orienting the reader to its contents, as well as its location in Hugh's overarching program of theological pedagogy. (shrink)

At M. Bernard's I saw several magnificent paintings on porcelain by Monsieur Constantin. In two hundred years, Raphael's frescoes will be known only through Monsieur Constantin.Stendhal, Voyage en France, 1837If we compare the forms that the act of copying has assumed in various civilizations, we cannot fail to notice that a certain number of phenomena are specific to European culture since the Renaissance. Perhaps one of the most singular of these phenomena is the will to create and to possess (...) imperishable reproductions of works that have been singled out, at a given moment, as the brightest jewels of Western art. The history of the fortune of Graeco-Roman sculptures has been masterfully related by Francis Haskell and Nicholas Penny in Taste and the Antique: The Lure of Classical Sculpture 1500-1900, even if it would no doubt be worthwhile to give further consideration to the critical fortune of materials used for reproduction, and particularly to the particular prestige attached to bronze—from the Mantuan works of Antico to the reconstitutions of Greek Urbilder in bronze, instead of the plaster used earlier, which were executed at the beginning of the twentieth century, such as the two Doryphoros that Georg Römer realized from various ancient marble copies of Polyclitus's athlete. But, in fact, it was not only in modern Europe that copies were made in bronze. The production of copies using this alloy was particularly prevalent in imperial China after the rediscovery, in the second half of the eleventh century of our era, of a collection of archaic bronzes from the Shang era. This is why I prefer to call attention to a practice that appears to me, in contrast, to be unique to the Western world: the copying of renowned paintings in materials that are supposed to defy time. (shrink)

This essay—originally a conference response to Glenn Hughes’ essay—explores how themes and notions in Lonergan’s philosophy of art extend in surprising and often unnoticed ways into the larger whole of Lonergan’s thought. By the same token, the broader framework of Lonergan’s philosophy sheds a great deal of interesting light on his philosophy of art. The essay explores this mutual illumination in the context of Hughes’ reflections on “ulterior significance.” For example, it relates Lonergan’s notion of art to his heuristic of (...) human development as an intertwining or interlocking of the organic, psychic, intellectual, and religious levels in human development. It also relates Lonergan’s notion of art, together with his recognition of the centrality of the symbolic in human living, to his treatment of the permanent human needs for liberation from “the ready-made world,” for the sense of the unknown, and for orientation into mystery—even for orientation into ultimate mystery. (shrink)

In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," says the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a (...) central part of the ideal of human existence, so games belong at the heart of any vision of Utopia. Originally published in 1978, The Grasshopper is now re-issued with a new introduction by Thomas Hurka and with additional material (much of it previously unpublished) by the author, in which he expands on the ideas put forward in The Grasshopper and answers some questions that have been raised by critics. (shrink)

Darwin hypothesized that some animals, when selecting sexual partners, possess a genuine “sense of beauty” that cannot be accounted for by the logic of natural selection. This hypothesis has been notoriously controversial. In this chapter I propose that the concept of agency can be useful to operationalize the “sense of beauty”, and can help identify the conditions under which one can infer that animals are acting as (aesthetic) agents. Focusing on a case study of the behavior of the Pavo cristatus, (...) I identify the types of evidence that would allow for the inference of agency through aesthetic choice. (shrink)

How I became a philosopher -- To love, to love me, to love us.

Boredom is an affective experience that can involve pervasive feelings of meaninglessness, emptiness, restlessness, frustration, weariness and indifference, as well as the slowing down of time. An increasing focus of research in many disciplines, interest in boredom has been intensified by the recent Covid-19 pandemic, where social distancing measures have induced both a widespread loss of meaning and a significant disturbance of temporal experience. This article explores the philosophical significance of this aversive experience of ‘pandemic boredom.’ Using Heidegger’s work as (...) a unique vantage point, this article draws on survey data collected by researchers in an ongoing project titled ‘Experiences of Social Distancing During the Covid-19 Pandemic’ to give an original phenomenological interpretation of the meaninglessness and monotony of pandemic boredom. On a Heideggerian interpretation, pandemic boredom involves either a situative confrontation with relative meaninglessness that upholds our absorption in the everyday world, or an existential confrontation with absolute meaninglessness that forces us to take up the question of our existence. Arguing that boredom during the pandemic makes this distinction difficult to sustain, I consider some of the ways in which pandemic boredom might be seen to expose and then exceed the distinctive methodological limitations of Heidegger’s philosophical interpretation of boredom. (shrink)

I consider a number of reasons one might think we should only accept epistemic dilemmas in our normative epistemology as a last resort and argue that none of them is compelling.

This entirely new work guides the reader through the most basic systems of modal propositional logic up to systems of modal predicate with identity, dealing with both technical developments and discussing philosophical applications.

The challenge this book addresses is to demonstrate how, in teaching content knowledge, the development of intellectual and moral dispositions as virtues is not merely a good idea, or peripheral to that content, but deeply embedded in the logic of searching for knowledge and truth. It offers a powerful example of how philosophy of education can be brought to bear on real problems of educational research and practice – pointing the reader to re-envision what it means to educate children by (...) developing the person, instead of simply knowledge and skills. Connected intimately to the practice of teaching and teacher education, the book sets forth an alternative theory of education where the developing person is at the center of education set in a moral space and a political order. To this end, a framework of public and personal knowledge forms the content, to which personal dispositions are integral, not peripheral. The book’s pedagogy is invitational, welcoming its readers as companions in inquiry and thought about the moral aspects of what we teach as knowledge. (shrink)

In a recent article, Shaw contrasts his own supposed good behaviour, as that of a self-proclaimed “social distance warrior” with the alleged rude behaviour of one of his relatives, Jack, at social events in the former’s house in Scotland in the early stages of the COVID-19 pandemic. He does so to illustrate and support his claims that it was wrong and rude to fail to comply with the governmental advice regarding social distancing because we had a responsibility “to minimize risk” (...) and not wrong nor rude to challenge and cajole those people who failed to do so. This article shows that his claims are contestable. It suggests that his own behaviour was no better than Jack’s. (shrink)

Aristotle's _Nicomachean Ethics_ is one of the most important texts in western philosophy, and arguably the most influential text on contemporary moral theory. This _GuideBook_ introduces and assesses: * Aristotle's life and the background to the _Nicomachean Ethics_ * The ideas and text of the _Nicomachean Ethics_ * Aristotle's central role in philosophy and his continuing contribution to our ethical thought.

This book offers the fullest and most sophisticated account of Gert's influential moral theory, a model first articulated in the classic work The Moral Rules: A New Rational Foundation for Morality, published in 1970. In this final revision, Gert makes clear that the moral rules are only one part of an informal system that does not provide unique answers to every moral question but does always provide a range of morally acceptable options. A new chapter on reasons includes an account (...) of what makes one reason better than another and a second new chapter is devoted to the question of justifying violations of the rules. Moral impartiality, the moral ideals, and virtue and vice, are all treated in greater detail. Throughout, Gert attempts to answer all of the challenges that his work has provoked. (shrink)

I argue that evidentialism should be rejected because it cannot be reconciled with empirical work on bias in cognitive and social psychology.

Die "Paradoxien des Unendlichen" sind ein Klassiker der Philosophie der Mathematik und zugleich eine gute Einführung in das Denken des "Urgroßvaters" der analytischen Philosophie. Das Unendliche - seit jeher ein Faszinosum für die philosophische Reflexion - wurde in der Zeit nach der Grundlegung der Analysis durch Leibniz und Newton in der Mathematik zunächst als Problem betrachtet, das sich nicht vollkommen widerspruchsfrei behandeln lässt. Bernard Bolzano, der heute als "Urgroßvater der analytischen Philosophie" (Michael Dummett) gilt, zeigt in diesem klassisch gewordenen (...) Text jedoch, dass es beim Nachdenken über das Unendliche, sofern man begrifflich differenziert argumentiert und klare Definitionen zugrunde legt, keine echten Widersprüche gibt und sich die "Paradoxien des Unendlichen" auflösen lassen. Bolzano setzt sich zunächst mit den Unendlichkeitsbegriffen der Mathematik und der (idealistisch geprägten) Philosophie seiner Zeit auseinander, bevor er sich Schritt für Schritt die analytischen Grundlagen einer konsistenten Theorie des Unendlichen erarbeitet. Bereits einige Jahrzehnte vor Georg Cantors bis heute maßgeblicher mathematischer Unendlichkeitsdefinition gelingt Bolzano mit diesem Werk, dessen logische Klarheit und dessen Grad an philosophischer Durchdachtheit bis heute Beispielcharakter haben, die Rehabilitation des Unendlichen für die Philosophie der Mathematik. Die "Paradoxien des Unendlichen" wurden zuerst 1851 aus dem Nachlass herausgegeben. Diese Neuausgabe beruht auf dem der Erstausgabe zugrundeliegenden Manuskript. (shrink)

The Oxford Handbook of Practical Ethics is a lively and authoritative guide to current thought about ethical issues in all areas of human activity--personal, medical, sexual, social, political, judicial, and international, from the natural world to the world of business. Twenty-eight topics are covered in specially written surveys by leading figures in their fields: each gives an authoritative map of the ethical terrain, explaining how the debate has developed in recent years, engaging critically with the most notable work in the (...) area, and pointing directions for future work. The Handbook will be essential reading, and a fascinating resource of ideas and information, for academics and students across a wide range of disciplines. (shrink)